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Duncan Jones on Why It’s ‘Harder Than Ever’ to Make His Kind of Movies (and Why He Refused to Use AI for His Newest One)
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The 2026 Toronto International Film Festival Awards Are Being Announced Right Now (Updating)
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Box Office: John Wilson’s ‘The History of Concrete’ from Magnolia Becomes IFC Center’s Second Biggest Debut
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‘The Other Bennet Sister’ Fans, Rejoice! Dónal Finn Will Be Back for Three-Part Christmas Special
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How to Run a Microcinema with John Wilson
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‘The Daughters of Abraham’ Review: Individualism and Community Test Each Other’s Limits in an Interfaith Friendship Drama
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Trying to Picture Doomsday? 1983’s ‘WarGames’ Already Showed Us One Way AI Could End the World
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Phil Lord and Chris Miller to Deliver Keynote Conversation at IndieWire’s Future of Filmmaking Summit
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‘Best of the Best’ Pulls Off the Perfect Heist Through Its Dance Numbers
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Mike Leigh Movies Always Start Without a Script. Watch the ‘Tender Loving Care’ Director and Cast Break Down His Unique Filmmaking Process
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‘NAZA,’ Israeli Military Doc from ‘No Other Land’ Directors, Sets Speedy Fall Release in U.S.
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‘Monster,’ the TV Show, Devolves Into a Poor Impersonation of ‘Monster’ the Movie
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Aaron Sorkin Was His Own ‘Second Choice’ to Direct ‘The Social Reckoning’ — David Fincher Was His First
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You’ve Never Seen Saoirse Ronan Quite Like This Before
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James Gray to Receive Directing Award at Virginia Film Fest, Where He’ll Also Join IndieWire’s ‘Screen Talk’ Live
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‘Youth’ Review: Sharon Horgan’s Sharp HBO Comedy Asks What We Really Have to Sacrifice with Age
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See Which Films Have Been Submitted for Best International Feature at the 2027 Oscars
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Can Being a Crowdpleaser Carry ‘I Play Rocky’ All the Way to the Oscars?
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‘Up Against It’ Review: An Uneven Medical Dramedy Relies on Sincerity to Mask Its Flaws
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‘Half’ Review: A Grisly Indian Vampire Western Tumbles Into Excess
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‘Best of the Best’ Review: Maitreyi Ramakrishnan and Priyanka Kedia Dazzle in Bollywood-Fusion Comedy
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Marcus Theatres and A24 End Months-Long Standoff Over Film Terms
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Why John Wilson Used a 3D-Printed Starbucks to Critique Capitalism (and Documentary Cliché) in ‘History of Concrete’
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‘MobLand’ Season 2 Is Wasting Tom Hardy’s Time (and Ours)
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Disney and Sundance Announce Next Round of Project Advancement and Completion Fund and Artist Fellowships
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Noah Baumbach Heads from Netflix to Warner Bros.’ Clockwork with New First-Look Film Deal
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John Wilson’s ‘The History of Concrete’ from Magnolia Scores Biggest Opening Weekend for Documentary in IFC Center History
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James McAvoy Doesn’t Believe in God. That Didn’t Stop Him from Making the Spiritual Drama ‘Faith’
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‘The Life of Jorge Luis Borges’ Review: A Playful Five-Hour Documentary Turns the Argentinian Writer Inside Out
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How a Sequel to a Movie Barely Anyone Saw Became a Sensational (and Originally X-Rated) 1980s Indie
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As the ‘Digger’ Awards Campaign Launches, Will Tom Cruise Do What it Takes to Win an Oscar?
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NewFest Lineup Showcases ‘La Bola Negra’ NYC Premiere, Plus ‘Elsinore,’ ‘Club Kid,’ and More
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‘Stuffed’ Review: There Are No Certainties in Life Besides Death and Taxidermy in This Zany, Bleakly Romantic Body Horror Musical
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‘Resident Evil’ Review: Zach Cregger’s Relentless Adaptation Is the Future of Video Game Movies, Even When Too Goofy for Its Own Good
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‘Sacrifice’ Trailer: Anya Taylor-Joy, Chris Evans, John Malkovich, and Charli XCX Take Aim at Celebrity Vapidity
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Woodstock Film Festival Unveils 2026 Lineup Featuring ‘The Debut,’ ‘I Play Rocky,’ ‘Club Kid,’ and More
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The Final Trailer for ‘Wildwood’ Provides Deepest Look Yet at an Epic Adventure
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How to Make IndieWire a Preferred Source on Google
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‘Faith’ Review: Erin Doherty’s Grieving Mother Approaches Sublimation in a Drama with Otherworldly Overtones
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‘At Night’ Review: A Feminist Feature Debut Refutes the Idea of Monolithic Womanhood
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‘About a Hero,’ AI-Generated Docu-Mystery Featuring Synthetic Werner Herzog, Debuts Trailer — Watch
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Alden Ehrenreich Has a Lot of Opinions About His Career — and About Steve Urkel
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Watch Brit Rock Legends Get Introspective in ‘PULP: What Do You Do for an Encore?’ — Exclusive Clip
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‘The Color of the Sun’ Review: Teen Angst and Alienation Get a Sensuous Study in Okinawa
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Inside the 2026 Emmys, Where TV’s Brightest Talents Shared the Spotlight with Its Long-Term Challenges
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A Federal Tax Incentive for Filming Could Bring in Extra $125 Billion in Production Spend — and Impact Without It Could Be Devastating
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‘The Liberation’ Review: Carrie Coon Joins a Cult, and One of Her Best Performances Follows
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JustWatch, Which Tells You Where Things Are Streaming, Is Launching Its Own Streaming Service
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Hollywood’s Next Revolution Will Be Independent, Say Aisha Tyler and Kirsten Vangsness
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