Le Journal

Face à une équipe de Béthune solide et réaliste, Longueau (b) n’est jamais parvenu à inverser la dynamique de la rencontre ce samedi, devant son […]

Photo Credit: Kevin Mazur Archive/WireImage via Getty Images A cherished memory, a dash of nostalgia, and the warmth of old connections — Gwyneth Paltrow‘s latest revelation on Amy Poehler’s Good Hang podcast from January 6 was all about that and more. The Great Expectations actor shared how her ex Ben Affleck was instrumental in reconnecting her with Hollywood icon Robin Williams. Gwyneth Paltrow got help from ex Ben Affleck to know this Hollywood icon Gwyneth Paltrow reconnected with Robin Williams through the efforts of her former partner, Ben Affleck. Despite sharing screen with the Hollywood legend in the 1991 classic Hook, it was Affleck who played a pivotal role in reestablishing Paltrow’s connection with the Williams. “I only got to know him a bit when Good Will Hunting came out,” Paltrow recalled during her appearance on a recent episode of Amy Poehler’s Good Hang podcast. “Because I was dating one of the people who wrote that movie and was in that movie, so I got to know him then.” Paltrow’s early projects included a notable role in Steven Spielberg’s Hook, a reimagining of the Peter Pan narrative, where she portrayed the younger version of Wendy. The film featured a distinguished cast, including Robin Williams as Peter Pan, Julia Roberts as Tinkerbell, Dustin Hoffman as Captain Hook, and Maggie Smith as the elder Wendy, with Bob Hoskins appearing as Smee, Hook’s loyal sidekick. However, Paltrow did not actually work directly with Williams, as she had a minor role in the fantasy adventure film. Several years later, the Goop founder began a romantic relationship with Ben Affleck, which lasted three years before concluding in 1999. During this period, the Batman actor and his friend Matt Damon collaborated on Good Will Hunting, a screenplay about a janitor who is secretly a genius, a project that went on to significantly boost their careers. It was then that Affleck helped Paltrow establish a connection with Williams, who played a counselor to Damon’s character Will in the film. “Oh, he’s so good,” the 53-year-old entrepreneur gushed about Williams on Poehler’s podcast. “I love that movie. It’s a perfect movie. I love it so much.” Originally reported by Sibanee Gogoi on Mandatory. The post Gwyneth Paltrow Recalls Meeting This Late Actor Thanks to Ex Ben Affleck appeared first on Reality Tea.

Photo Credit: Jerritt Clark/Getty Images for ARIA Resort & Casino At the grand opening of the restaurant Gymkhana in Las Vegas, Teyana Taylor delivered yet another fashion moment that felt bold and confident. The multi-hyphenate star stepped out for the high-profile event wearing a striking midi-length coat by Tom Ford. She proved once again why she remains a style force in her own lane. Images of her look were shared by Fashion Bomb Daily on Instagram, where the outfit quickly drew attention for its rich texture and sleek finish. Teyana Taylor pairs Tom Ford midi-coat with ankle-strap sandals for Gymkhana Las Vegas opening View this post on Instagram For the occasion, Taylor opted for a deep red, almost burgundy Tom Ford midi-coat crafted in a glossy, textured leather that immediately stood out under the lights. The structured silhouette featured a belted waist that cinched her frame. It balanced sharp tailoring with a polished, feminine edge. The high neckline and long sleeves added to the coat’s strong, commanding presence, making it feel powerful and refined. She paired the statement coat with strappy tie-up heels in a matching red tone. This allowed the texture and colour of the outerwear to remain the focal point. The choice of footwear added subtle elegance without distracting from the dramatic coat. Her accessories followed the same clean approach. Taylor wore oversized red-tinted sunglasses, leaning into a futuristic, fashion-forward mood. Her short, cropped hair and neutral makeup kept the look sharp and modern. Every element felt intentional, reinforcing her reputation for fearless yet thoughtful styling. As an artist known for pushing boundaries across music, film, and fashion, Taylor’s appearance at the Gymkhana Las Vegas opening felt fitting. The upscale restaurant, celebrated for blending tradition with contemporary flair, provided the perfect backdrop for her bold Tom Ford moment. As a result, by choosing texture over excess and letting strong design lead the way, Teyana Taylor once again showed how personal style can be both daring and effortless. Originally reported by Viha Shah on The Fashion Spot The post Teyana Taylor in Tom Ford Midi-Coat Works as a Chic Dress appeared first on Reality Tea.

Architecture Of Plunder: Why The Modern Democratic Party Is A Kleptocracy Authored by Saggezza Eterna, In the lexicon of polite political discourse, we are told that "kleptocracy" is a phenomenon reserved for the decaying regimes of the third world—banana republics where dictators in gold-braided epaulets stuff suitcases with cash while their people starve. This is a comforting fiction. It allows the American mind to believe that corruption is something that happens over there, in places without marble capitols or Ivy League economists. But this definition is archaic. It fails to capture the sophistication of the modern predator state. A true kleptocracy in the twenty-first century does not require a dictator with a Swiss bank account; it requires a bureaucracy with a grant-making authority. It does not steal with a gun; it steals with a regulation. The modern Democrat Party is not merely a political coalition; it is a syndicalist engine of wealth extraction. It has evolved beyond the crude graft of Tammany Hall, where votes were bought with turkeys and beer, into a highly complex "NGO-industrial complex" that launders public treasury funds into private political power. They are not governing. They are looting. And they have built a moral fortress around their theft so that to question the robbery is to be branded a heretic. "The modern kleptocrat does not break the law; he writes the law to make his theft mandatory." ' To understand this, we must strip away the veneer of "public service" and look at the mechanics of the machine. We must observe how the Managerial Elite has perfected a system where the decline of the American middle class is not an accident of history, but the direct, mathematical result of their enrichment. Part I: The Laundromat – The Non-Profit Industrial Complex The genius of the Democrat kleptocracy lies in its ability to make the taxpayer fund their own political subjugation. In a traditional bribery scheme, a corporation gives money to a politician for a favor. This is illegal and risky. The modern Democrat machine has professionalized this by inserting a middleman: the Non-Governmental Organization (NGO). Consider the flow of money. The federal government, under Democrat stewardship, allocates billions in grants to "community organizations," "activist groups," and "non-profits" ostensibly for public welfare—voter education, green initiatives, or social justice programs. These entities are staffed almost exclusively by partisan operatives. The funds, stripped of their "public" designation, are then used to build voter rolls, organize protests, and push radical policy agendas that benefit the party that wrote the check. It is a closed loop of money laundering. You pay taxes. The bureaucrats you did not elect send that money to an activist group you do not support. That activist group uses your money to campaign for the bureaucrat’s boss. "They have not just seized the means of production; they have seized the means of distribution, turning the U.S. Treasury into a campaign war chest." This is why the Left fiercely defends the bloated administrative state. It is not because they love efficiency; it is because the bureaucracy is their bank. Every new agency created is a new revenue stream for their client class. The teachers' unions are the archetype of this model. They compel dues from members, funnel those dues almost exclusively to Democrat campaigns, and in return, the party ensures the unions maintain a monopoly on education, free from the competition of school choice. It is a protection racket disguised as a labor movement. The "Foreign Aid" grift operates on the same frequency. When billions are sent overseas to nebulous "democracy building" initiatives, we must ask: who are the contractors? Who are the consultants? Who sits on the boards of the NGOs administering this aid? Invariably, we find the children, siblings, and donors of the party elite. They are not exporting democracy; they are…