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Jeux Vidéo & Gaming
‘Color Book’ Director David Fortune Used Ice Cold Showers to Practice His AT&T Untold Stories Award Pitch — Watch

Jeux Vidéo & Gaming
‘They’re Still Humans Like the Rest of Us’: Watch the ‘Everest: The Other Side’ Directors Discuss Relating to Extreme Athletes

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Yes, That’s a Wicker Penis: Inside Alexander Skarsgård’s Wild ‘Wicker’ Transformation

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‘Marie Antoinette’ at 20: Sofia Coppola on How the Film Almost Broke Her, the Critical Backlash, and Paying Tribute to Mom

Jeux Vidéo & Gaming
‘Yaga’ Review: Hudson Williams’ Creepy Dual Roles Can’t Save a Witchy Mystery That’s Not Creepy Enough

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Will ‘Wicker’ Be Black Bear’s First Big Breakout?

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Pawel Pawlikowski’s Historical Stunner ‘Fatherland’ Is About Far More Than Thomas Mann — It’s About Today’s Own Fissures

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Daniel Pemberton on Scoring ‘Without a Map,’ from ‘Project Hail Mary’ to David Byrne and Elon Musk

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‘The Only Living Pickpocket in New York’ Added a Secret Extra Shoot Day to Break Some Location Rules

Insolite & Divers
Tom Skerritt, ‘Alien’ and ‘M*A*S*H’ Star, Dies at 93

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Cinema Eye Honors Unveil Nominees for 2027’s Best Documentary Films and Series

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‘Moonlight’ Turns 10: Tarell Alvin McCraney on the Film’s Lasting Legacy and That Best Picture Mix-Up

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‘The Hunger Games’ Producer Nina Jacobson Talks Using AI to Test ADR Lines Before Recording with Actors: ‘We Would Never Use It’ in the Film

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Artists Equity’s Amy Baer on Building a Sustainable Indie Model with Movies That Don’t Star Matt Damon or Ben Affleck

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Don’t Get the Wrong Idea About ‘The Dropout’

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‘The Debut’ Is the Go-to Festival Crowdpleaser as Jesse Eisenberg’s Musical Comedy Launches at Virginia

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Mayor Zohran Mamdani and Neon to Present Free ‘Once Upon a Time in Harlem’ New York City Screenings

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Sandra Hüller’s Star Keeps Rising, but She’s Still Adjusting to Life in the Public Eye

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‘Blue Film’: How the Controversial Camboy Drama Was Produced for Just $100,000

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‘Nobody Wants This’ Season 3 Review: Netflix’s Fizzy Rom-Com Puts the Pop (and Pain) Back Into Modern Love

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When VFX and Practical Sets Work Together, Sometimes You Invent New Cameras

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Ken Russell’s ‘The Devils’ Extends Theatrical Run Following Strong Box Office Debut

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Watch ‘Man on the Run’ Director Morgan Neville Unpack Paul McCartney’s Life After Beatlemania

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Tom Cruise to Be Honored with AFI Life Achievement Award

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‘Clayface’ Review: A Gross Miscalculation (Emphasis on the Gross)

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Neon Boards ‘NAZA’ to Expand Distribution for Documentary About Israel’s Military Strikes on Gaza

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Watch Phil Lord and Chris Miller Go Deep on ‘Project Hail Mary’ Puppetry, Sandra Hüller’s Karaoke, and Making People ‘Cry About a Rock’

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Japanese Cult Blockbuster ‘Rex: A Dinosaur’s Story’ to Get First U.S. Theatrical Release in December

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Watch Ava Duvernay Explain Why the 14th Amendment Is So Much More Than Birthright Citizenship

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Gen Z Feels ‘Doomed’ Watching AI, but Gen Alpha Feels Differently

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A New Australian Horror Import Imagines ‘Obsession’ from a Very Different Perspective

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‘Sinner Supper Club,’ a Gay Mumblegore Ghost Story, Sells to Factory 25

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Nathan Fielder Was Not Supposed to Be in ‘You Can See Everything’

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$1 Million Box Office Haul for ‘If I Go Will They Miss Me’ Provides a Release Template for the Smallest of Indies

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‘Fatherland’ Review: Pawel Pawlikowski Fans Will Feel Cozily, Coldly at Home with His Latest Tour Through Europe’s Regrets

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After ‘You Can See Everything,’ What’s Next for ‘The Rehearsal’?

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‘Possible Love’ Trailer: Two Families Are Divided by a Documentary in Netflix Oscar Hopeful

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The Costumes Are Why ‘Your Mother Your Mother Your Mother’ Is a Movie Unlike Any Other

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As It Readies for Boulder Debut, Sundance Institute Names Tracy Brady as Chief Marketing, Brand, and Communications Officer

Jeux Vidéo & Gaming
‘Klara and the Sun’ Review: Jenna Ortega Plays a Manic Pixie Android in Taika Waititi’s Confoundingly Awful Kazuo Ishiguro Adaptation

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12 Must-See AFI Fest Movies According to the Festival’s Team, from Sexy Gay Romance ‘Flesh and Fuel’ to Animated ‘Iron Boy’

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WGA East Moves to Block AI Models from Training on Members’ Work with New Software Partner Cloak: ‘Give Agency Back to Writers’

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Ryan Gosling Turned Obstacles Into Opportunities on ‘Project Hail Mary’ — with a Little Help from Julia Roberts

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‘Clayface’ Introduces DC Studios’ Gotham City — but Director James Watkins Never Felt Pressure to Set Up Future Films

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RIP Ann Hornaday, a Newspaper Film Critic Survivor

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Curry Barker on Why Gen Z Loves Going to the Movies: ‘It’s Social Interaction, but You’re Not Expected to Talk to Anyone’

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No One Left to Fire: Ted Sarandos Is Feeling the Heat as Netflix Struggles

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Ken Russell’s ‘The Devils’ Use Sets Unlike Any Other Period Film

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The Cast of the New ‘Sense and Sensibility’ Is Just as Good as in the Beloved 1995 Version

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