Today’s Reflections

Hot take here: I think it is a lot more enjoyable watching PCA’s quest at 40/40 than Sosa/McGwire ‘98. Back then, almost 140 home runs between two guys (yes, it was “unreal and unprecedented”), but it got a little predictable and boring. Sammy never met a curtain call he didn’t love. I haven’t watched PCA in the dugout after every home run, so I could have missed it (like after a three-HR game or the cycle), but I don’t recall PCA doing a curtain call (yet). It’s possible I missed it. But it seems to be all business for Pete. It’s watching a budding superstar. I just find it more fun.

Wednesday night, we had TWO! TWO! TWO amazing offensive performances in one game. PCA and Alex Bregman each went 3-for-4 at the plate. PCA had a triple, two home runs and three runs scored. Bregman had a double, triple and home run. The duo had seven RBI and TWENTY total bases combined.

Almost completely covered up was the performance of the year so far by Shota Imanaga. The lefthander allowed one junk run over six innings on four hits without a walk and struck out eight. He had a similar outing in May, where he allowed one run over six innings and struck out 10, but allowed six hits (including a CSPSHR*) and three walks. Shota’s game Wednesday was smooth, professional and was only jittery at he approached 100 pitches, but he wrapped things up well.

All that to pick up another series win on the way to the postseason.

I appreciate your reading.

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Wednesday’s Game Stories:


Possible First Specific, Deep-Dive Off-Season Acquisition Flier That I’ve Noticed:

Assorted Pitching Stories:


Assorted Hitting Stories:


Assorted Stories:


Food For Thought:

Slim Harpo (born either Isiah Moore or James Isaac Moore; February 11, 1924[a] – January 31, 1970) I was an American blues musician, a leading exponent of the swamp blues style, and “one of the most commercially successful blues artists of his day”. He played guitar and was a master of the blues harmonica, known in blues circles as a “harp”.

Moore was born in Lobdell, Louisiana,[4] the eldest child in his family. After his parents died he worked as a longshoreman and construction worker in New Orleans in the late 1930s and early 1940s. Influenced in style by Jimmy Reed, he began performing in Baton Rouge bars using the name “Harmonica Slim”, and also accompanied his brother-in-law Lightnin’ Slim in live performances.

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