If nothing else, David Robert Mitchell’s The End of Oak Street proves that Warner Brothers will — and have, now — spend at least $80 million on a movie in which feathered dinosaurs “do it like they do on the Discovery Channel.” Yes, Mitchell spent nearly a decade in Director Jail following the drama surrounding criminally underrated Under the Silver Lake to make a “Dark Amblin” picture in which big-ass lizards fuck. There’s something deeply endearing about that, in a […]
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