Lea Seydoux had two projects in competition at Cannes this year, and both of them polarized critics. They’re, uh, confrontational features, and one of them — Marie Kreutzer’s Gentle Monster — was soon snatched up by Netflix for a Fall release. Inspired by some of the controversy surrounding how Corsage, Kreutzer’s prior feature, had its release derailed by one of its actors’ crimes, Seydoux stars as an avant-garde musician whose actor husband may not be the kind of person she […]
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