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‘Marty Supreme’ Trailer: Timothée Chalamet Is on a Bender of Ambition in Josh Safdie’s Electric Solo Outing

IndieWire | The Voice of Creative Independence • Publié le 11 novembre 2025

With a cast that also includes Gwyneth Paltrow, Tyler the Creator, Kevin O'Leary, and Odessa A'zion, Safdie's first feature on his own will be an audience favorite come Christmas.

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Kogonada Asked Six Friends to Fly Themselves to Hong Kong. Three Weeks Later, They Left with a Movie

In their first interview, Kogonada and the cast and crew of Sundance premiere "Zi" tell IndieWire about finding a way to separate the art of filmmaking from logistics.

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‘Carousel’ Review: Chris Pine and Jenny Slate Anchor a Lovely, Lilting Romance for Grownups

Sundance: Rachel Lambert’s gentle fifth feature revels in the pleasures of everyday life, but isn't afraid to ask the big questions about love.

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‘Lady’ Review: A Taxi Driver Starts Moonlighting as a Sex Worker Chauffeur in a Vivid Neo-Noir About Dreams, Gender, and Hardship in Modern Lagos

Olive Nwosu’s debut feature is powered by striking images of the Nigerian city and its women.

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‘Everybody to Kenmure Street’ Review: A Vital and Inspiring Portrait of Spontaneous Collective Action

Executive-produced by and featuring Emma Thompson, Felipe Bustos Sierra’s energizing documentary tells the story of ordinary Scots resisting a hostile immigration raid.

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‘Ha-Chan, Shake Your Booty!’ Review: An Exuberant and Whimsical New Spin on the Grief Drama

Sundance: Rinko Kikuchi's latest starring role finds her navigating deep emotion through a light and quirky lens. It mostly works.

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‘The History of Concrete’ Review: John Wilson Illustrates How to Get Over a Beloved TV Show with a Moving and Hilarious Meditation on Death

Sundance: DMX, Hallmark movies, Kim Kardashian, and public diarrhea are just some of the countless things mixed into John Wilson's excellent debut feature.

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Corey Feldman’s Documentarian Marcie Hume on Why the ’80s Teen Icon Is More Than Just a ‘Victim’ or ‘Villain’

The director of "Corey Feldman vs. the World" talks about following Feldman on tour as he tries to reinvent himself as a pop star, and why he sent her a cease and desist.

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For Documentaries at Sundance, Landing a Sale Is No Longer Expected (Nor the Priority)

Sundance is still the gold standard launching pad for docs, but filmmakers and producers are plotting self-release strategies early rather than wait for a mega worldwide deal.

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Kogonada Asked Six Friends to Fly Themselves to Hong Kong. Three Weeks Later, They Left with a Movie

‘Carousel’ Review: Chris Pine and Jenny Slate Anchor a Lovely, Lilting Romance for Grownups

‘Lady’ Review: A Taxi Driver Starts Moonlighting as a Sex Worker Chauffeur in a Vivid Neo-Noir About Dreams, Gender, and Hardship in Modern Lagos

‘Everybody to Kenmure Street’ Review: A Vital and Inspiring Portrait of Spontaneous Collective Action

‘Ha-Chan, Shake Your Booty!’ Review: An Exuberant and Whimsical New Spin on the Grief Drama

‘The History of Concrete’ Review: John Wilson Illustrates How to Get Over a Beloved TV Show with a Moving and Hilarious Meditation on Death

Corey Feldman’s Documentarian Marcie Hume on Why the ’80s Teen Icon Is More Than Just a ‘Victim’ or ‘Villain’

For Documentaries at Sundance, Landing a Sale Is No Longer Expected (Nor the Priority)