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This PBS Documentary Powerhouse Just Bet Big on Vertical Video

IndieWire | The Voice of Creative Independence • Publié le 11 novembre 2025

Exclusive: ITVS is committed to completing the 40 feature films in its pipeline “come hell or high water,” but it's also committed to going digital first with its new vertical video fund.

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Kogonada Asked Six Friends to Fly Themselves to Hong Kong. Three Weeks Later, They Left with a Movie

In their first interview, Kogonada and the cast and crew of Sundance premiere "Zi" tell IndieWire about finding a way to separate the art of filmmaking from logistics.

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‘Carousel’ Review: Chris Pine and Jenny Slate Anchor a Lovely, Lilting Romance for Grownups

Sundance: Rachel Lambert’s gentle fifth feature revels in the pleasures of everyday life, but isn't afraid to ask the big questions about love.

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‘Lady’ Review: A Taxi Driver Starts Moonlighting as a Sex Worker Chauffeur in a Vivid Neo-Noir About Dreams, Gender, and Hardship in Modern Lagos

Olive Nwosu’s debut feature is powered by striking images of the Nigerian city and its women.

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‘Everybody to Kenmure Street’ Review: A Vital and Inspiring Portrait of Spontaneous Collective Action

Executive-produced by and featuring Emma Thompson, Felipe Bustos Sierra’s energizing documentary tells the story of ordinary Scots resisting a hostile immigration raid.

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‘Ha-Chan, Shake Your Booty!’ Review: An Exuberant and Whimsical New Spin on the Grief Drama

Sundance: Rinko Kikuchi's latest starring role finds her navigating deep emotion through a light and quirky lens. It mostly works.

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‘The History of Concrete’ Review: John Wilson Illustrates How to Get Over a Beloved TV Show with a Moving and Hilarious Meditation on Death

Sundance: DMX, Hallmark movies, Kim Kardashian, and public diarrhea are just some of the countless things mixed into John Wilson's excellent debut feature.

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Corey Feldman’s Documentarian Marcie Hume on Why the ’80s Teen Icon Is More Than Just a ‘Victim’ or ‘Villain’

The director of "Corey Feldman vs. the World" talks about following Feldman on tour as he tries to reinvent himself as a pop star, and why he sent her a cease and desist.

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At the Oscar Nominations Ceremony, ‘Sinners’ Was the People’s Champion

Ryan Coogler's vampire blockbuster broke the record for most nominations, and the energy in the room made it clear it was the audience favorite.

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Kogonada Asked Six Friends to Fly Themselves to Hong Kong. Three Weeks Later, They Left with a Movie

‘Carousel’ Review: Chris Pine and Jenny Slate Anchor a Lovely, Lilting Romance for Grownups

‘Lady’ Review: A Taxi Driver Starts Moonlighting as a Sex Worker Chauffeur in a Vivid Neo-Noir About Dreams, Gender, and Hardship in Modern Lagos

‘Everybody to Kenmure Street’ Review: A Vital and Inspiring Portrait of Spontaneous Collective Action

‘Ha-Chan, Shake Your Booty!’ Review: An Exuberant and Whimsical New Spin on the Grief Drama

‘The History of Concrete’ Review: John Wilson Illustrates How to Get Over a Beloved TV Show with a Moving and Hilarious Meditation on Death

Corey Feldman’s Documentarian Marcie Hume on Why the ’80s Teen Icon Is More Than Just a ‘Victim’ or ‘Villain’

At the Oscar Nominations Ceremony, ‘Sinners’ Was the People’s Champion