One Fine Show: “Monuments” at MOCA’s Geffen Contemporary and The Brick

Her folkloric figures are bound not by narrative certainty, but by unseen forces—family, fables and the psyche—that stretch across the human experience like nerves.

In an IP-dominated industry, a handful of directors remain powerful enough to secure green lights and audiences on reputation alone.

Her human figures emerge as mythic vessels—porous, androgynous and inseparable from the natural and spiritual systems they inhabit.

A trio of Frederic Remington masterworks led the sale: ‘Coming to the Call,’ which set a world record at $13,285,000; ‘An Argument with the Town Marshall,’ which sold for $11,847,500; and a bronze, ‘Coming Through the Rye,’ which more than…

Eclipses, centennials and cultural milestones converge with landmark hotel openings and new airline routes.

Berkshire Hathaway may sell its Kraft Heinz stake as new CEO Greg Abel moves to clean up a rare Warren Buffett-era misstep.

With this exhibition, the artist is not so much rediscovered as finally recognized for what she always was.

"By recreating the sensation of a pond, where ethereal creatures drift, dissolve and reappear, the installation invites viewers to slow down and consider the forces of nature that shape our environment."