Le Journal

Tomi Lahren's Jarring Face Transformation Has The Internet In A Tizzy
PSG : bonne nouvelle pour le club et Luis Enrique
L'entraîneur du Paris Saint-Germain a annoncé une bonne nouvelle à la veille de la finale de la Coupe Intercontinentale contre Flamengo. Cet article PSG : bonne nouvelle pour le club et Luis Enrique est apparu en premier sur Football 365.
Oubliez Yamal ou Pedri, le joueur du Barça préféré de Laudrup est…
Guadalajara-Barcelone : streaming, chaîne TV et compos

Michelle Obama Reveals Shocking Detail About Night of Rob Reiner’s Death While Addressing Claims He Had ‘Trump Derangement Syndrome’
The current president said that the famed director had a "mind-crippling disease."

Nikon en 2025 : la photo et la vidéo en monture Z sont à l’honneur

Colorado’s modular builders stand at a crossroads. Experts say more help is on the way.

Worlds apart in water politics, Denver and Phoenix seek similar solutions to a drier Colorado River Basin

In “Line of Fire,” Colorado high school senior Cameron Kirkegaard takes on the U.S. Biathlon ski team
There’s a moment in “Line of Fire,” a new documentary about sexual abuse on the U.S. Women’s Biathlon Team, when it feels like the camera will linger on its subject’s face forever. That’s because her pain is so visceral. And it’s the kind of pain that’s hard to witness. She is Joan Wilder, in her late 50s. When she was 20, she says, a coach hired by U.S. officials to prepare the women’s team for their first-ever biathlon Olympics tried to force her to have sex with him after she’d gone to bed one night. The coach denied it. And when Wilder reported it to her team manager, Max Cobb, who later became U.S. Biathlon Association CEO and is now secretary general of the International Biathlon Union, she says he blew it off. No charges were ever filed. Wilder later said in a SafeSport complaint that she faced retaliation for pressing the issue of firing her coach. She quit biathlon, which combines Nordic skiing and shooting at set targets, after being bumped from the 1994 Olympic team and then dropped from the national team without notice, just before the 1998 Olympics. That left her without health insurance. But when asked why she didn’t keep pushing to oust her abuser, she said she had lost the fight it would have taken to do so. Last December, several national news organizations ran the story, and on Dec. 17, Cobb publicly apologized to any athlete who “comes forward with issues, especially issues of sexual misconduct,” who were mistreated during his tenure as the head of the U.S. Biathlon Association. Two-time Olympian and University of Colorado Hall of Fame Inductee Joanne Reid interviewing with Cameron Kirkegaard, for his documentary “Line of Fire.” (Courtesy Cameron Kirkegaard) It’s one thing to witness a person’s pain from the distance of a theater seat or computer screen. But the person who saw it up close, and who had the composure and compassion, not to mention the confidence to capture it, was a 17-year-old filmmaker from Grand Junction High School named Cameron Kirkegaard. Kirkegaard’s 40-minute documentary covers not only Wilder’s painful past but also that of other women who say they were sexually assaulted during a period when abuse and misogyny were tolerated by biathlon team management for decades. It focuses on them coming forward to major news outlets, and how she and two-time Olympian and University of Colorado athletic hall of famer Joanne Reid led a biathlon camp, put on by the Colorado Biathlon Club at Snow Mountain Ranch in Grand County. They wanted to teach women about what might be the United States’ most obscure skiing discipline but one of Europe’s most beloved, while showing support for athletes who’ve faced sexual abuse, including those who may never come forward. “Line of Fire” premiered at the Avalon Theater in Grand Junction in October. Kirkegaard turned 18 on Monday, and has some thoughts on his moving and unflinching film. Its next screening is planned for Jan. 17 at Snow Mountain Ranch. This interview has been edited for length and clarity. Joan Wilder instructs at a shooting clinic during the Snow Mountain Ranch women’s biathlon festival in the spring of 2025. (Still from “Line of Fire” by Cameron Kirkegaard) The Colorado Sun: The film centers on a four-day women’s biathlon festival at Snow Mountain Ranch. Why was that event created and how does it relate to the biathlon abuse scandal? Cameron Kirkegaard: The festival was put on by Wilder and Reid and a couple of other elite-level athletes, and consists of races and information clinics on how to ski, shoot, wax your skis, clean your rifle — that kind of thing. They also have social gatherings in the evening where they eat dinner and talk about relevant subjects. The film chronicles this happy clinic, where there’s this strong community, where they’re like, yes, we’re here for you, alongside this sort of dark history of biathlon, and, sort of, how do we return to the sport? How do we move forward and fix this and remain strong? Sun: Let’s go to…

Le service EyeEm fermera définitivement ses portes le 13 janvier 2026
Après des années de turbulences financières, la plateforme photo EyeEm tire sa révérence. Le service, racheté par Freepik en octobre 2023 suite à son dépôt de bilan, cessera définitivement ses activités le 13 janvier 2026. © 2025 Phototrend - Le service EyeEm fermera définitivement ses portes le 13 janvier 2026 Cet article a été publié par Damien Roué sur Phototrend - Suivez la photo de près

Sony en 2025 : nouveau porte-étendard, compact inattendu et 5 optiques
Quel bilan pour Sony en 2025 ? L’année fut particulièrement remplie pour le constructeur japonais : retour sur ses temps forts et sur les grandes tendances pour les mois à venir. © 2025 Phototrend - Sony en 2025 : nouveau porte-étendard, compact inattendu et 5 optiques Cet article a été publié par Jean-Nicolas Lehec sur Phototrend - Suivez la photo de près

